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THE ACCURSED HOUSE. Intro....

THE ACCURSED HOUSE

BY EMILE GABORIAU

Emile Gaboriau, best known for his remarkable detective stories, was born at Sanson in 1853, and died at Paris in 1873. He was for a time private secretary of Paul Feval, the novelist, and published a great variety of work. In 1866 appeared in the paper called "Le Pays" his first great detective story, "L' Affaire Lerouge," which the author dram- atized in collaboration with Hostein in 1872. Like all of the great series, "U Affaire Le- rouge" "Monsieur Lecoq," "Les Esclaves de Paris," etc., are written in an easy flowing style, and are full of exciting moments.

It is interesting to trace the ancestry of the modern detective story. The first seeds are said to be found in Voltaire's "Zadig"; they germinate in Poe's tales, take form in Gabo- riau, and are in full bloom in Conan Doyle's "Sherlock Holmes."

The Butterfly part one...

Stay near me---do not take thy flight!

A little longer stay in sight!

Much converse do I find I thee,

Historian of my infancy !

Float near me; do not yet depart!

Dead times revive in thee:

Thou bring'st, gay creature as thou art!

A solemn image to my heart,

My father's family!



Oh! pleasant, pleasant were the days,

The time, when, in our childish plays,

My sister Emmeline and I

Together chased the butterfly!

A very hunter did I rush

Upon the prey:---with leaps and spring

I followed on from brake to bush;

But she, God love her, feared to brush

The dust from off its wings.

William Wordsworth,

To a Butterfly.....

TO A BUTTERFLY
Written in the orchard, Town-end, Grasmere.

I'VE watched you now a full half-hour;
Self-poised upon that yellow flower
And, little Butterfly! indeed
I know not if you sleep or feed.
How motionless!—not frozen seas
More motionless! and then
What joy awaits you, when the breeze
Hath found you out among the trees,
And calls you forth again!

This plot of orchard-ground is ours; 10
My trees they are, my Sister's flowers;
Here rest your wings when they are weary;
Here lodge as in a sanctuary!
Come often to us, fear no wrong;
Sit near us on the bough!
We'll talk of sunshine and of song,
And summer days, when we were young;
Sweet childish days, that were as long
As twenty days are now.

William Wordsworth, 1802

Figure Of Speech

Figures of Speech

Apostrophe:
A direct address made to an inanimate objects or abstract ideas as if they were present and capable of understanding.
1. And, little butterfly! I know not if you sleep or feed.
2.

Tautology:
Unnecessary usage of words, which do not add more meaning
1. Lies defeated and buried deep three or four hours unconscious.
2.
Hyperbole:
A statement is emphasized by an overstatement.
1. I will love thee still my dear till a’ the seas gang dry.
2.
Metonymy:
A characteristic of a thing is represented by another closely related to it.
1. Her world is an infinite shapeless white.
2.

Synecdoche:
A part stands for the whole or the whole stands for a part to create the poetic effect.
1. Till the heart of me weeps to belong to the old Sunday evenings at home.
2.

Transferred epithet:
The description or objective is transferred from its original noun to another closely related to it.
1. And pressing the small poised feet of a mother who smiles as she sings
2.

Figures of Speech
Antithesis:
Contrasting or opposite ideas or words are used.
1. Of my childhood days is upon me, my manhood is cast.
2.

Oxymoron:
A special form of antithesis where two contradictory terms are united to convey a new meaning.
1. She made a sweet moron.
2.

Irony:
A real meaning is exactly the opposite of that which is literally conveyed.
1. The life is most jolly.
2.

Euphemism;
Unpleasant idea of death or a disagreeable thing is spoken in a positive manner.
1. I will luve thee still my dear while the sands of life shall run.
2.

Litotes:
Use of negation is used to convey a positive meaning.
1. He knows he can never turn back.
2.

Paradox:
A self –contradictory or absurd statement which has some hidden truth or a message it
1. Down in the flood of remembrances I weep like a child for the past.
2.

Internal Rhyme:

Use of two or more words which rhyme within a single line of a verse
1. A child sitting under the piano in the boom of the tangling strings.
2.

Personification:
Non-living objects and abstract nouns are said to have human qualities
1. Inspite of myself, the insidious mastery of song betrays me.
2.

Interrogation:
Question is asked not for the sake of getting an answer, but to create the poetic effect.
1. Why all this toil and trouble?
2.
Exclamation:
Use of exclamatory form to draw attention
1. My luve’s like a red red rose.!
2.

Climax:
A series of ideas or words are places in an increasing order or importance for the poetic effect.
1. She sighs and dreams and thrills and glows.
2.

Anticlimax:
A series of ideas or words are places are in decreasing order of importance for poetic effect.
1. I saw pale kings, princes and warriors.
2.

Simile:
Direct comparison is made between two unlike objects which have at least one common point. Words like ‘as’ and ‘like’ are used.
1. The white saucer like some full moon descends at last from the clouds of the table above.
2.

Metaphor:
It is an indirect simile. Indirect comparison is made between two unlike objects, where comparison is taken for granted.
1. She nestles over the shining rim, buries her chin in the creamy sea.
2.

Onomatopoeia:
Use of words which produce sound of echo for poetic effect
1. The little black cat is suddenly purring there.
2.

Epigram:
A brief pointed saying which is introduced with an aim to exite, surprise and attract attention.
1. The child is the father of man.
2.

Happiness is all we need.................

Translated in French

Le bonheur est ma condition. Un certain corps qui n'est pas heureux n'est pas la vie vivante heureuse. En ce monde, aucun corps n'est préfet. La perfection viennent de l'intérieur. Pour être parfait, quelqu'un doit travailler dur. Travailler dur est un signe d'une bonne personne. Toutes les personnes travaillent avec l'ardeur pour obtenir un succès. Le bonheur et le succès sont faits pour chaque autre. Tous les deux sont importants dans une vie. Certains pensent que le bonheur est stationnaire où car d'autres pensent que le bonheur est permanent. Selon moi le bonheur est un état d'esprit. Pour moi le bonheur est force pour moi. Si je suis heureux que je sois fort. En d'autres termes le bonheur est ma force.Il est un difficile chargent de créer le bonheur. La satisfaction est le facteur le plus important pour créer le bonheur.

I hate it when people say that I'm mad at them when I am really not.

I hate it when people joke around or talk gibberish while I'm thinking about something.

I hate it when I'm left behind. I hate to hurt people's feelings.

I hate it when my feelings are being hurt.

I hate it when I can't be rude when I have to be.

I hate to be blamed for something I didn't do.

I hate it when people get too emotional.

I hate it when people can't control their anger.

I hate myself when I'm too stressed.

I hate to be hated by others.

I hate it when I feel like I don't have much time to do other stuff.

I hate it when I am too pressured.

I hate people who mess with girls like me.

I hate it when people talk bad about my close friends.

I hate it when my mom shouts at me.

I hate to be untrustable.

I hate it when people lie to me.

I hate it when I can't say what I really want.

I hate it when I can't do anything right.